Elegy
For Thomas Behrman (1976-2006)
When I am lost, I keep thinking
of times—two fellows like us—it could have been a stage,
that cafÈ where we habitually met, talked, and downed
iced coffee between reading, furrowing our brows, our heads
among the regulars (frittering away the time), sinking,
as the light pours listlessly across a glimmering, perishable age,
when here too are the unaccountable dead, their joy remains unknown
except in unread monuments poised & expressionless in survival’s stead.
Be concrete, you said, write lines that rise
from the stomach to the ears, and then—the voice:
cold flour-white dough in an early-fired oven fills the room
of memory with the scents of its leavening song.
That changes nothing, you might have replied,
neither bread’s buttered savor, as elemental as choice,
nor the flashing-dark current, the blood’s undertow—we’re doomed.
Chances once within grasp kindle now the fire like logs.
¥
Walking slowly through the gates at noon among the throngs,
numberless undergrads foist their pamphlets upon all, in vain,
as we edge our way through the crowd, but belong here, on our way,
the plaza’s movement orchestrated by a gilded tintinnabulation
into which your laughter rises as a transparent flame
entering Berkeley’s early spring sky. This—an image—is why.
Our shared anticipation of a longed-for world, perhaps unforgiven,
perhaps transfigured, fulfilled & released
like a balloon trailing off past the last clouds, a smile I can almost see
when I look. If I go back into the book in which it is written
that the truth is revealed from all our lies, I begin to remember
what we heard that afternoon and do not ask for another.
Was it a vision, or a waking dream?
The thing of which I do not know I do not speak
becomes part of the everlasting promise, luminous,
as real as this hand which now traces the air we breathed.
¥
In a story we climbed up the tree just like monkeys,
at opposite ends of a continent, neither speaking of falling
nor of what we would do when finally at the top...jump down…sing upwards?
I cannot say where I wouldn’t climb now to be reached by you.
Pan has put away his pipes for some time now
with clandestine fretfulness, lest some beast might awaken
in his breast and betray other daemons hidden safely away
for all posterity never to know.
Hordes of sleepless friends wrestle under sheets,
each in their respective, respectful, individual beds
becalmed only by a fancy of morning—the world is not what it seems
Ah! you not you, here, where no one screams, not even…God!!
Was it not Thomas who pressed inquisitively, wanting certainty,
his fingerprint into the palms at the end of time?
Waving these words now in the night, alone watching the fog
draped on the hills like celestial cerements—beautiful and true—I bid adieu.
¥
Thomas, gaze some evening upon my staid face
raised now and then to find yours among the stars.
Look back: when we wondered, as if old, was this planned?
Travelers destined some way to find each other across the distant land.
The scenes have all been rearranged by their own accord:
What is it you seek, you asked, as if I were a man
with unshakeable conviction to find in this life full of scars
and tearful absolution the secret of grace.
In the bar, we met at last for the last scattered chat
about Lacan & your novel & the indelible rest of all that
we would never know about each other. Come Friday,
I leave, not knowing where or when we will meet again.
Over the words of our generation comes a terrible silence,
unforeseen and powerless in its unblinking power, to strike dead
the place in which the heart, the voice, grow wings as you choose.
Now I look for you—always—having no one to lose.
Jeff neilson (Oct 11, 2007)
Into the Central Valley
As I descend the long,
barely sloping highway,
I look out across the valley
—full of light, without shadow—
and am suspended in bright reunion
with a place whose brindled coat masks nothing:
Motionless, prosaic cows chew cud—
their eyes too notice the figures in the carpet;
the intermittent, hypnotic faces
of towns, billboards, and a few dilapidated shacks
(left standing among fields that return beautiful each year)
convoke a cadence of place to guide the traveler;
as I am watching, I move across the land,
passing Vallejo, Fairfield, Vacaville,
passing people in warm houses with the TV on,
passing farms with dusty boards that reflect
the sky's slow burning patina.
In my movement I have recalled
where and to whom I am going:
eastward, to the source of the sun,
I am driving and am driven
to the far end of these fields
knowing that you are there.
Jeff Neilson (Oct 11, 2007)